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Every now and then, I am turning over the reins to my creative friends and letting them show and tell about their work-in-progress.  I’ve also asked them to address the issue of how they make time in their busy schedules for their own work.  My guest today is artist, teacher, and arts counselor, Barry Beach.

Barry, what are you thinking about in your current work?

My current artwork is more intuitive, produced quicker, focused on exploring surface and form. My general area of exploration is how the human-made and natural environments intersect, how they affect us physically and psychologically.

And how do you make time for your work (and all the other things you fit into your schedule)?

How do I make time for my work? Honestly, it’s the biggest challenge I face. And often I don’t make time for it. It was nearly 4 months since I was producing sculpture before this latest work. It tends to go all or nothing – but I don’t necessarily see that as a problem, just part of my process. During the times I’m too busy or uninspired to build, I keep sketching in my sketchbook, recording ideas and thoughts to follow later when I have the time and/or inspiration.

But the biggest thing I’ve learned is that during the times you’re not feeling like producing work, you can’t beat yourself up. You just have to keep yourself involved and active on other pursuits. I find reading things I traditionally enjoy helps me get back into my creative groove. Inspiration will return – you just have to have faith and be ready to act upon it when it does!

Thanks Barry!  Where can we see more of your work?

My website is www.barrybeach.com

Every now and then, I am turning over the reins to my creative friends and letting them show and tell about their work-in-progress.  I also asked them to address the issue of how they make time in their busy schedules for their own work.  This week’s guest is photographer and entrepreneur Tanya Boggs.

Tanya, what are you thinking about in your current work, Daily Dose?

Some of the themes you will see repeated in all of my personal work have been about collecting, archiving, mortality and memory, and an exploration of personal history.  And those ideas are even more evident in this current body of work Daily Dose.

This is an ongoing self-portrait of me and my daughter and is a continual work in progress.  Everyday, at approximately the same time, I place us as the subject of a photograph.  Day in and day out, each image, taken at the same distance from the camera, with the same lighting, and the same background, begins to compound and grow.  Days become weeks.  Weeks become months.  And soon months will become years.

By choosing to keep some of the elements in the image stable and by placing these seemingly arbitrary restrictions on the project, the nuances begin to come to the forefront.  This gives the viewer the opportunity to notice small details like when I have a headache, or when my daughter is exhausted or not feeling well.  You can begin to see some of the subtleties of the relationship and the individuals.

I began the work in March of 2009, so it’s been just over a year.  I plan to continue this project until my daughter grows up and moves out.  Most if the time in art, I think tightly editing can be crucial. This is one of the few projects where I think more is more.  The accumulation over time will really begin to shift and change this project.  I am so excited to see where this journey takes me.

Tanya, how do you make time for your own creative work (and all the other things you fit into your schedule)?

Given the nature of this current body of fine art work, making time for it is built into the project.  And it doesn’t take too much time everyday so it has been easy to commit to doing.  It’s probably a little easier as a photographer since I’m not making oil paintings or something more time consuming.  But it does require that I commit to the project daily.  There are some larger tasks and overall upkeep which I do in chunks on a weekly or bi-weekly basis: Color balancing, adding titles, updating the images on the website, applying for shows.  It’s been pretty easy to find small blocks of time to stay on top of the work because I’m really excited about the project.  I try to find 30 minutes or an hour here and there.  Which can easily turn into a larger amount of time as I get lost in the project.  Sometimes just getting started is the hardest part.

The other thing I have done to make time for my creative work, is that I have made my art into my craft and my livelihood as well.  I was frustrated that I never had enough time in my studio.  And one day a light bulb went off.  I want to do what I love and have someone pay me for it.  Given my medium of photography, it wasn’t that far of a leap.  Just a leap of faith really.  Now making time for my personal work just blends into my life a little more seamlessly.  I work with images all the time, so it’s easy to flip right into my personal work for 30 minutes at lunch or for an hour on Saturdays.  I hardly notice the difference between the two anymore.  I’m no longer frustrated by my lack of studio time and both my personal and my professional work organically blend together in my daily workflow.

My advice to others who might struggle to make time for their creative work is to first remove as many barriers as possible between you and getting it done.  If your commute to your studio stops you from making work… remove the commute.  Second, figure out how much time you realistically have and then schedule it for you.  Make a date with yourself and don’t break it.  And lastly I’d say, commit, commit, commit!  If it is really a priority for you, then you have to devote the time and energy.

Thanks Tanya!  Where can we see more of your work?

My Solo Exhibition for Re: incarnation at the School of the Arts at Louisiana Tech University in Ruston, LA was cancelled for the 2009/2010 exhibition season due to budget cuts.

Currently on the fine art website for my personal work, the Daily Dose images begin in March of 2009 and move to the present, but I am going to switch that shortly so that the most recent images are the first one’s you see on the site.  I want to update the site weekly so the content is always current and easy to get to.

http://www.TanyaBoggs.com

http://www.TanyaBoggsPhotography.com

http://www.TanyaBoggsPhotography.com/blog

Become a fan: http://www.facebook.com/TanyaBoggsPhotography

Follow me on Twitter: http://www.twitter.com/TanyaBoggsPhoto

It's always sunny and green outside the catalog windows.

A blog about making time to be creative definitely needs to include some creative work as well as posts about time-saving strategies, home office productivity, and work/life balance. I plan to continue to post helpful tips for the office on Tuesdays. Fridays will be for “Time to Create” to include photos of work in progress, poetic fragments, and other thoughts around the creative process. It’s a little bit left-brained/right-brained but that is how my mind works!

I remember papering the walls of my cardboard box barbie-dollhouse with pictures from catalogs so that they could live in style and I could pretend that they had all that they could wish for.  I never stopped collecting images or wishing and my current project (wishbooks) considers the allure of catalog settings.  I’d like to figure out what it is we are really hoping for when we are shopping and outfitting our homes with what we want and need.

This wishbook features romantic outside views for those of us who live and work in urban environments often lacking in such beautiful natural ambiance.  I write this as I listen to the street in front of my house being torn up today and can look out and see fences, parking lots, and neighboring buildings.

What do you want to see when you look outside?